Wednesday, November 23, 2011

The Wombats and Everything Everything join first ever emergency response unit

The charity ActionAid today launches the world's first ever emergency music network, backed by music stars including The Wombats, Everything Everything, Chapel Club, Cancer Bats and Radio 1's Huw Stephens. ActionAid Live is a nationwide network of bands, musicians, promoters and venues primed to spring into action and raise funds the next time a humanitarian emergency strikes in one of the world's most vulnerable areas.

Radio 1 DJ and ActionAid ambassador Huw Stephens said: 'When an emergency strikes ' whether it's an earthquake, flood or tsunami ' we all want to do what we can to help. ActionAid Live brings together music fans, bands and promoters in a united effort to save lives both in those vital first few days following a disaster and in the long term.

'I've seen for myself the amazing work ActionAid does, and they're one of the most inspiring charities out there ' by raising money for them in an emergency, the money you raise will make the biggest difference possible.'

Bands, musicians and promoters can now sign up to ActionAid Live at www.actionaid.org.uk/live to support the humanitarian response during the next big emergency by putting on a fundraising gig ' or donating money from an existing show they're already involved with ' creating a UK-wide network of events united to raise money and save lives.

ActionAid Live is part of the charity's wider emergency fundraising network, called the Global Emergencies Team. This is a way for every individual ' whether they're in a band or not ' to get involved in an emergency response: hundreds of people around the country all set to fundraise, whether in their workplace or local community. To find out more about the wider emergency network, visit www.actionaid.org.uk/team.

Bands and promoters can register at www.actionaid.org.uk/live from today and will then be able to access resources including template posters and flyers, guides on how to put on a successful fundraiser and banners and badges for use on their websites and social media spaces. They will also be able to receive updates on ActionAid's humanitarian emergency work and will be among the first to know when the charity is responding to the next disaster.

Mystery Jets announce biggest ever headline show

Mystery Jets have announced a special show at London's O2 Academy Brixton next year, their biggest headline show to date.

They will play the Academy on May 18 next year with tickets on sale from this Friday morning at 9am. Buy sold out tickets at our partners here and check out all other tickets here.

Lead singer Blaine announced the news online today, and also confirmed that the band have been working on new material.

"We have returned from Texas with dirty boots, a family member heavier (a beautiful young lady by the name of odessa) and a quiver of new songs. Admittedly less than we went out with (such are the worlds' ways) but damn me if they aren't some of our favorite yet.

Robin Gibb: I'm recovering well

Robin Gibb has assured his fans he is 'on the road to recovery'.

The 61-year-old singer was recently hospitalised for reported liver cancer, after suffering abdominal pain and inflammation of the colon.

Robin ' who has been seen looking increasingly frail in public over the last few weeks ' has been undergoing treatment for the disease for several months, it's been claimed.

The former Bee Gees singer has taken to his blog to reassure fans of his recuperation.

"I have been very unwell and am now on the road to recovery," he posted on his personal website.

Robin also took the time to thank his loyal supporters for their "prayers and good wishes."

The musician says his fan's word were a "great tonic to [him]".

"I wish to thank my family, friends and fans and the many thousands of people who do not know me but have enjoyed Bee Gees music and have wished me well," he added.

"I am very touched by your love, kindness and support. This concern from people all over the world has demonstrated the depth of feeling and love that the Bee Gees have achieved over the years."

Robin was hospitalised in October after experiencing stomach pains, and consequently pulled out of several scheduled performances.

Amy Lee: Only games keep me quiet

Amy Lee says her games console is the only things that 'shuts [her] up' and saves her voice for performances.

The American singer-songwriter is currently on the road with her band Evanescence ' also comprising of Terry Balsamo, Tim McCord, Troy McLawhorn and Will Hunt.

Amy enjoys chatting with her band members while touring, and insists the only way she can save her voice for singing is if she plays on her console alone.

'[My Nintendo 3DS] is sometimes the one thing that will help me shut up. If I can just go to my bunk, close the curtain and play Zelda then I won't be talking and will save my voice for the show,' she explained in an interview with Kerrang! magazine.

Amy also revealed another couple on essentials for on-the-road comfort. The star swears by Ponaris Oil to sooth her throat.

'It's a nosedrop full of eucalyptus oil: you lay back, drop one in each nostril and sleep on your back ' it runs down your throat and keeps it moisturised,' she said.

'I know rock stars usually put things up their noses, but I don't....'

Amy insists all travelling musicians need a 'really good pillow'. The 29-year-old star goes out of her way to purchase the best kind of head-rest.

'There's nothing worse than not being able to sleep because your pillow's c**p,' she claimed.

'If I don't have one on the bus, I'll find one. I had to buy one for the US leg [of the tour]. So if you see me in [UK store] John Lewis, you'll know what's up.'

Snoop Dogg hopes to cook for Kardashians

Snoop Dogg is desperate to spend Thanksgiving with the Kardashians.

The hip-hop star is looking forward to the American holiday tomorrow. He hopes to have some extra special guests over for dinner.

'Thanksgiving is comn up. Time to roast a turkey wit @KimKardashian n tha Jenners. #snoopkardashian (sic),' he wrote on Twitter.

Snoop's friends immediately jumped on the rapper's comments to see if he was being serious.

Some found it hilarious that he wants to dine with the reality TV star family, while others threatened to stop following him if pursued the friendship.

The Kardashians have become controversial figures in America recently, following Kim's decision to end her marriage to Kris Humphries after just 72 days.

The nuptials cost millions of dollars and aired during a two-night special on the E! channel, prompting accusation that the wedding was just a money-spinner.

It's not the first time the two superstar families have been linked.

In April, it was claimed Kim's younger sister Kendall Jenner, 16, was dating Snoop's son Corde Broadus after they met at an awards show.

Kendall was quick to shoot down the speculation though.

'I heard I'm dating Snoop Dogg's son," she laughed. "That's news to me. I've never even met him!"

Beyoncé took '14 bathroom breaks during concert'

Beyoncé Knowles is apparently experiencing the typical inconveniences of pregnancy.

The 30-year-old performer is expecting her first child with rapper husband Jay-Z but has not let it slow her down.

She went to watch her man perform during his Watch The Throne concert tour with Kanye West in Florida recently and although she loved the show, she had to leave the venue several times, it is reported.

'She took about 14 bathroom breaks,' an eyewitness told Us Weekly of the singer's appearance at the Fort Lauderdale show on November 14. 'But she barely stopped dancing!'

Beyoncé and Jay-Z have been inseparable of late and the Single Ladies star has been travelling with her husband to many of his concert dates.

Instead of sitting in the VIP box, the Grammy winner frequently joins the crowd in the front row and sings and dances along ' apart from when she has to go with the call of nature.

The mother-to-be is taking a hiatus from performing herself until she gives birth in February to a baby girl.

But her new concert DVD, filmed in the early stages of her pregnancy, offers a behind-the-scenes glimpse into her four sell-out shows at the Roseland where she says she thought everyone knew she was expecting before she had announced it.

'The whole time I definitely was thinking, 'Everyone knows, everyone can see,'' Beyoncé revealed at the screening of her new concert DVD recently. 'When you're pregnant, it's a little bit harder to breathe, so it was hard doing all the choreography and singing at the same time.'

Nicki Minaj honoured by Billboard

Nicki Minaj has been named Billboard magazine's Rising Star of 2011.

The rapper will receive the honour at the Billboard Women in Music ceremony in New York City on December 2.

Nicki received the accolade thanks to her busy year, which has seen her 2010 debut album Pink Friday continue to ride high in the charts. She has also supported Britney Spears during her Femme Fatale tour, collaborated with David Guetta and won BET, Teen Choice and American Music Awards.

'I am deeply honoured to be recognised by Billboard," she said. "My nation of barbz [fans] and I have come a mighty long way; yet we are nowhere close to where God will take us. Sit back and enjoy the ride."

News of Nicki's accolade comes after the announcement that Taylor Swift is the publication's Woman of the Year.

Taylor's is the youngest star ever to win the honour.

'Taylor has shown the power of good song-writing with music that has transcended genres, and we're thrilled to recognise all of her successes over the past year by honouring her with the Billboard Woman of the Year Award," Bill Werde, Billboard's Editorial Director, said.

Saturday, November 19, 2011

Mac Miller Ignored Label Offers On Road To #1 Debut 'We just really wanted to stick with our home team,' Mac Miller tells 'RapFix Live' of Blue Slide Park.

What's the first thing an artist does when he snags the #1 spot on the Billboard albums chart? Well, if he's Mac Miller, he plays James Brown's "I Feel Good" — and why wouldn't he?

On Wednesday (November 16), the 19-year-old Pittsburgh MC landed the #1 album with his independent debut, Blue Slide Park. It's the first time an indie artist has obtained the top spot with a debut since Tha Dogg Pound did it in 1995.

To mark the occasion, Mac — who is currently out on tour — appeared on "RapFix Live" via Skype. "It's crazy. I've been trying to take it all in," Miller told Sway. "I've just been in constant motion, so I haven't gotten a chance to really stop and realize how crazy this is that we got the first #1 in 16 years. It's nuts, man."

Mac broke out in 2010 when he signed to Rostrum Records and then dropped his K.I.D.S. mixtape. Rostrum, which is most noted for signing Wiz Khalifa, is an independent label. Even though Wiz is distributed through Atlantic Records, Mac has no major-label affiliation — not that the majors haven't been interested. But Team Miller wanted to do things on their own.

"I never really got far enough to see an offer for real," Mac said. "I got no hatred towards major labels or anything. I never got a chance to hear what they had to say. We just really wanted to stick with our home team and keep it in the family."

Miller's manager and Rostrum Records founder Benjy Grinberg has been fending off offers for Mac. "They called Benjy and wanted to talk, but Benjy was just on some 'We're not trying to talk right now, we're doin' this independently.' And we just left it at that."

The move paid off. Since Blue Slide Park was released November 8, fans have been snatching up copies both digitally and physically. "The numbers are cool — 144,000, that's crazy. But whatever it is, the fact that I got a #1 album on my first try independently is just something that no one could ever take away from me," Mac said. "I had fans tweeting me with pictures of nine albums that they bought."

Did you snatch up Mac's album? Let us know in the comments!

Rick Ross Plans To Delay God Forgives, I Don't 'The date is still tentative because of my health situation,' Ross tells 'RapFix Live.'

Rick Ross appeared on Wednesday's (November 16) "RapFix Live" to give fans an update on his health and the status on his fifth solo album, God Forgives, I Don't, after suffering two seizures in October.

With Maybach Music rapper Meek Mill at his side, Ricky Rozay confirmed that the December 13 release date for his album is subject to change because of the lull in his workflow.

"The date is still tentative, December 13. [Because of] my little health situation, I had to postpone a lot of my groundwork," Ross said. "And I feel like that's important for artists like myself.

"If I wanted to, I'm pretty sure I could still meet that date, but I think for the people, it's more important [to lay groundwork] for when I get out there and look them in the face and touch them hands," Ross said, explaining the likelihood of a delay. "We've just gotta lay ground for it, and I'mma keep y'all updated."

During his rest and recovery period, Ross had time to link up with Jay-Z for a new track, which is set to appear on God Forgives, I Don't. "Just expect the biggest collabo we've ever made together. It's just gonna make the project mean that much more," he said. "Any time me and the Big Homie get together, you know I'm coming with my A-game, 'cause I wanna make sure the homie is impressed with whatever I'm coming to the table with — and he was. He blessed me, so y'all get ready for it."

Until Rick Ross finally releases God Forgives, I Don't, he continues to heavily promote Ambition, the sophomore album from his Maybach Music artist Wale.

Are you sad about Ross' delay? Let us know in the comments.

Noel Gallagher Soars With High Flying Birds Former Oasis songwriter's solo debut has earned rave reviews, none of which impress him all that much.

Given all the recent coverage of his run-in with Katie Holmes and various, life-altering ways, you may be unaware that Noel Gallagher, late of Oasis, has just released his first proper solo album, a rock-solid collection of tunes that run the gamut from psych-tinged burners ("[I Wanna Live in a Dream in My] Record Machine") to straight-ahead churners ("Everybody's on the Run"), with stops at just about every point in between.

He's called the disc Noel Gallagher's High Flying Birds, a nod to both the first Fleetwood Mac album and a Jefferson Airplane song of (roughly) the same name, and so far, things are soaring. It's been greeted with glowing reviews, most of which seem to harp on the fact that the album represents "his best tunes in 15 years." Of course, in typical Gallagher fashion, he's not paying attention to any of it.

"I didn't read any of the reviews and think, 'Well, these people think I've been writing crap songs for the last 15 years.' I don't think of things like that," he told MTV News. "When I'm in the studio, I'm literally taking it song by song and then, you know, you get to the end of it. I got to say though, during the mixing of it, as each track was being finished, I was thinking, 'This does sound really good. ...'

"But I wouldn't like to compare it to anything Oasis did, because that's not fair," he continued. "We were a band and I was writing songs for someone else to sing, so you can't really compare the two. It's just a good record, what can I say?"

Humility was never his strong suit. Neither, apparently, was guitar playing. Because even though he slung the ax loud and often in Oasis, he never really considered himself to be a guitar player. Which is why, on High Flying Birds, he limited the showing off — there are, by unofficial count, just two solos on the whole album — and focused instead on doing what he loves best: writing killer tunes.

"I guess when guitarists make solo records, there's usually a lot of showing off. But I've been trying to convince for 20 years that I'm not a guitarist, I'm a songwriter. I played lead guitar in the band because everybody else, in the early days, was useless, so that kind of fell to me," he laughed. "But it's not something I ever thought I would put myself up there with John Squire or Johnny Marr or all those great British guitarists, that's not my thing. My thing was songwriting. I only noticed [the lack of solos] when a friend of mine was listening to the finished version, and it got to track six and he went, 'You know, that's the first guitar solo,' and I was like, 'Wow, someone's got an easy gig, doesn't he?' "

And since there's not going to be an Oasis reunion in the cards anytime soon, Gallagher is focused on promoting Birds both here and abroad. He's playing on just about every continent over the next six months and seems quite content to be doing nothing else. Especially attempting to figure out the machinations of the music industry of 2011 ... a plan he abandoned long ago, thanks in no small part to his daughter.

"She is into music, she's never mentioned Justin Bieber to me ... Lady Gaga's her thing, and Rihanna and, is it, Miley Cyrus? All that kind of thing," he said. "It's kind of a rule, she's got to like Oasis and her old fella, so she's into that side of it. But her teenage rock years will come [and], no doubt, she'll be into f---ing Nickelback as well."

'X Factor': Josh Krajcik Rocks Out On A Rocky Night

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"The X Factor" took on rock music Wednesday, with decidedly rocky results.

The debate of what really constitutes rock overshadowed the proceedings, with the increasingly catty judges sniping at one another over their song choices and whether they fit the evening's theme. In the end, only one performer, Josh Krajcik, turned in what could truly be considered a rockin' performance, plugging in and kicking out the jams with the Foo Fighters' "Pretender."

Krajcik was the evening's big winner — inspiring mentor Nicole Scherzinger to head-bang her way through his performance — along with teen rapper Astro, who is quickly becoming a favorite in the competition. Astro's original song, a dedication to hip-hop rapped to Puff Daddy's "I'll Be Missing You," caused L.A. Reid to gush that he not only has what it takes to win the competition, but also to become a "major international star," while Simon Cowell told him he has more maturity and intelligence than the older contestants he's up against. Astro's consistency, meanwhile, irked Paula Abdul. "Can you just suck for once?" she pleaded. "I don't think you can!"

Here's how the remainder of the contestants fared:

The Boys
Chris Rene, sporting one of Jay-Z's controversial Occupy All Streets T-shirts, did Bob Marley's "No Woman No Cry," which Cowell argued wasn't nearly rockin' enough. "Loved the performance. Would have been great if the theme was reggae," Cowell quipped. Marcus Canty's take on Janis Joplin's "Piece of My Heart" earned high marks from everyone but Cowell, who said it felt like he was pretending to be someone he's not. L.A. Reid shot back with a simple, "You rocked!"

The Girls
Coming off a strong performance last week, Rachel Crow took on the Rolling Stones' "(I Can't Get No) Satisfaction," which more than satisfied the judges. "The question is, can you sell records? Can you sell tickets? And the answer is yes," Reid beamed. Melanie Amaro's piano-and-vocals version of R.E.M.'s "Everybody Hurts" was dismissed as "so not rock" by Reid, and Scherzinger questioned why she wasn't moved to tears by the song (she explained that, normally, she is a weeping mess by the song's close). Cowell, however, boasted that the performance reminded him of Adele and Alicia Keys — performers who are not the least bit rock, mind you, but who happen to sell a lot of records.

Fourteen-year-old Drew, meanwhile, took on U2's "With or Without You" — which was similar to her version of Coldplay's "Fix You" last week — and Reid, Scherzinger and Abdul all stressed they'd like to hear her do something outside her comfort zone. But Cowell dismissed their comments and praised her, saying he's confident she'll be in the competition "until the end."

The Over 30's
LeRoy Bell's straightforward reading of Bob Seger's "We've Got Tonight" was smacked down by the judges. "You're good, man, but I need more. This is the big time," Reid scolded him. Stacy Francis dedicated her performance of Meat Loaf's "It's All Coming Back to Me Now" to her "Franatics," but Cowell trashed her performance with his most stinging critique of the season to date. "It was the sort of thing I would expect someone to sing at the Hilton hotel with people turning their backs eating peanuts," he said. (It's safe to say he is not a Franatic.)

The Group
Lakoda Rayne, Paula Abdul's sole remaining group, got hammered for what Cowell called their "stupid" and "gimmicky" choreography, and he called the group's performance of the Outfield's "Your Love" mashed up with Fleetwood Mac's "Go Your Own Way" "a complete mess." When Reid called Cowell's critique harsh, Cowell barked, "Watch your back" at Reid. Me-ow, you two!

One finalist is due to be sent home on Thursday's (November 17) show, which is also set to feature a live performance by Rihanna.

What did you think of rock night on "The X Factor"? Let us know in the comment

Google Music Launches, Plans To Take On iTunes Users can store up to 20,000 songs on the Google cloud.

After a summer of beta testing and months of rumors, Google officially launched its long-rumored Google Music service on Wednesday in an attempt to compete with the undisputed champion of digital downloading, Apple's iTunes.

The initial reaction from Silicon Valley tech writers was that the service was, well, pretty similar to iTunes, but, you know, not as great. Google's bid to break Apple's decade-long supremacy in the digital music realm allows users to store up to 20,000 songs in their personal locker on the Google cloud service. That is similar to what Apple's Match cloud server offers its users, except, according to one Google exec, his company won't be charging an annual fee to allow users to listen to their own music on the cloud. (Apple's Match charges a $25 annual fee for storage.)

So far, Google has signed up three of the four major record labels -- Universal Music Group, Sony Music Entertainment and EMI -- but has not yet reached a deal with the Warner Music Group, which has a 20-percent share of the U.S. market. Among the Warner acts you won't find on Google Music are Wiz Khalifa, Nickelback, Frank Sinatra, Green Day, Gucci Mane and Mastodon.

Google has signed up a number of independent labels as well and there was the vague promise of a potential Warner deal in the future. For now, though, the search giant is differentiating itself from the competition by allowing artists who self-release their music to directly upload their songs for purchase on Google Music and set their own pricing schemes.

Google Music also lets users share the music they've bought with friends via the Google+ social networking platform. Once you've purchased a song or album from the Android Market, you can then send a stream to a pal using Google+ and they can listen to the tune once for free. The service, with prices similar to those on iTunes, will also be offering a free song of the day and is currently touting exclusive tracks from a number of artists, including Coldplay, the Rolling Stones and Busta Rhymes.

Will you check out the Google Music service?

Lady Gaga Wants To 'Take Helm,' Laurieann Gibson Says 'In stepping away I wish her all the best,' singer's former creative director tells Hollywood Reporter.

It was the breakup heard around the world. No, we're not talking about Kim Kardashian and Kris Humphries. When news broke that Lady Gaga and her creative director, Laurieann Gibson, had split, everyone immediately wondered what had happened between Gaga and her right-hand woman.

Gibson has remained relatively quiet about the split, but in a new statement to The Hollywood Reporter, she opens up a bit more about the breakup, clarifying that she was not fired from the Haus but left on her own. She added that Gaga wanted to take the reins when it came to her career.

"I am fulfilled with the work I have done with choreographing all of the iconic moves, creative directing the artist, appearances, shows, directing the tour, music videos, and the HBO Monster Ball [special], which was a culmination of my work as its creator and director," Gibson said about the five years she spent working with Gaga. "Recently, Lady Gaga was motivated to take the helm of the creative direction of her career and as such I decided to step away."

Gibson, who currently serves as the in-house creative director at Interscope Records (where Gaga is signed) and has starred in two of her own reality shows (the BET dance-competition show "Born to Dance" and another dance reality series, E!'s "The Dance Scene"), is now focused on expanding her brand with other artists and in new ways.

"I am extremely proud of her, and in stepping away I wish her all the best," she said of the pop star. "I look forward to continuing my work with notable artists, as well as new artists that are part of my Interscope Records deal, and the upcoming seasons of my TV shows."

Drake, Rick Ross Project Is 'Official' Y.O.L.O. (You Only Live Once) mixtape is 'most definitely' happening, Ross tells 'RapFix Live.

It's deeper than rap with Rick Ross and Drake.

While the two have collaborated on a number of hit records like Rozay's "Aston Martin Music" and DJ Khaled's "I'm on One," the two MCs share a bond that extends way beyond the studio. So when Drake announced that he and the Bawse would be collaborating on a new mixtape, Y.O.L.O. (You Only Live Once), it made sense in theory, but how real is the actual project? Very real, says Rozay.

"You know, it's official, the music is most definitely official," Ross said when he appeared on "RapFix Live" on Wednesday. "But you know, me being a boss, I'm trying to find a way that we could put that on the shelves for the world, baby. But it's most definitely official."

Retailing a collaboration project is tricky, especially considering that Drizzy and Rozay are signed to two different labels. Ross is currently inked up with Def Jam as a soloist, and Drake just released his sophomore album, Take Care, on Cash Money. Still, the Maybach Music CEO is hopeful.

"You know, Drake, I consider him a part of the fam. It's not just music," he said. "We stay in the studio, we stay on Skype."

According to Ross, the two mostly talk about the music they've been recording, and so far their collaborations have been well received. On the day that Drake's Take Care was leaked onto the Internet, "Lord Knows," featuring Rozay, began trending on Twitter.

Back in August, the Toronto MC had some high praise for his buddy. Drizzy was one of the few able to hear Ross' God Forgives, I Don't as a work in progress, and his early review was glowing. "This guy right here," Drake said, motioning to Ross as the two sat at Lil Wayne's Tha Carter IV release party, "that God Forgives, I Don't; the only way I can describe it is like Doggystyle or Ready to Die or Clipse Lord Willin' or any of the albums that I collected and held on to as a kid — whether it was cassette or CD."

In a recent interview with XXL magazine, Drake spoke about the status of the upcoming mixtape, revealing that the two seizures that the Bawse suffered in October may slow the process up just a bit. "I've been working on that for the last couple of weeks. We haven't really connected because he's been going through this thing with his health. I've been stashing my little beats and verses," he said.

There is no telling when fans will get to hear Y.O.L.O. or how it will even be released, but when it drops it should be a special one. "It's just love all the way around the board," Ross remarked. "So Y.O.L.O. You Only Live Once, let's go hard, let's go get it."

'X Factor' Judges Leave Stacy Francis 'Very Confused' 'For [Simon Cowell] to just beat me up like that, I don't understand,' singer tells MTV News after Wednesday night's episode.

It seems that every reality-show singing competition has to have one polarizing contestant who makes headlines every week for something. "X Factor" appears to have found its lightning rod in former professional singer Stacy Francis, who ripped it up with judge Simon Cowell on Wednesday night's rock-themed performance episode.

The 42-year-old Brooklyn native and single mother, who is being coached by Nicole Scherzinger, was lambasted by Cowell for her sleepy rendition of Meat Loaf's "It's All Coming Back to Me Now," which he said was "the sort of thing I would expect someone to sing at the Hilton Hotel with people turning their backs, eating peanuts."

MTV News spoke to Francis backstage after the show, and she admitted that Cowell's slings and arrows bewildered her. "I just want a fair judgment, and I don't feel like it was fair," she said. "I feel like because I'm not in Simon's category, he beats me up every week. I don't know if I can really take on what he says as an artist and really say, 'OK, how can I make this better?' "

On a show where the judges usually save their harshest fire for each other, Cowell went all in on Francis, saying, "I thought the song was a horrible choice. I like rocks; that was a pebble." Indeed, Francis, standing at a feather-covered mic stand while wearing leather gloves and a sparkly silver dress, emoted her way through the lesser-known Loaf tune while accompanied by a grand piano, mirror-ball effects on the giant onstage videos, lots of ground fog and a wind machine.

She took issue with Cowell's criticism that the song was too cabaret, noting that the audience seemed to love it. "For him to just beat me up like that, I don't understand; I don't get it," she said. "I sang a Meat Loaf song, which is a rock song, and he said he didn't love it. Melanie Amaro sang an R.E.M. song, and he loved it. It was the same tempo ... I don't know, I was very confused about it."

Francis said it seems to her that the other females in the competition have an advantage because they are in Cowell's category and he doesn't give them as much grief. "My first audition, he told me he loved me and he loved my voice and he loved everything," she said. "All of a sudden, I'm the worst thing in the competition. I don't understand it. That's very confusing, and I think it's very unfair."

As for judge Paula Abdul's comments about some of Francis' vocals being flat, the onetime member of the group Ex-Girlfriend said, if anything, her vocals sometimes go sharp because she pushes too hard, but rarely flat. "I don't think that I ever go flat, so that's weird," she said. "To me, [Abdul] has one group in the competition that's left so she would love to see any other contestant [leave] except her only one. I don't know if I'm getting a fair evaluation as an artist or if it's just the bickering amongst the judges because they wanna win."

Beyonce Debuts New Videos -- And Her Wedding Dress! 'I Was Here' and 'End of Time' will be featured on upcoming 'Live at Roseland' DVD.

Just because Beyoncé is cooling her heels as she awaits the birth of her first child with husband Jay-Z, that doesn't mean her musical career is on bed rest.

In fact, Lady B has just unleashed the seventh and eighth music videos from her 4 album, for the songs "End of Time" and "I Was Here." Though they're not the high-concept clips Bey is typically known for, they are a nice sneak preview of the singer's upcoming "Live at Roseland" DVD, which will be on sale exclusively at Walmart starting November 21. The four-night stand of shows was taped at New York's Roseland Ballroom in August and featured a mix of old favorites and new songs from 4.

In the "I Was Here" video, we see a pre-pregnancy announcement Beyoncé onstage in a shimmery silver minidress, giving the crowd a bit of a windup about where the song came from. "It's taken a lot of hard work to get to where I am," she says in announcing the final tune of that show. "I searched all around the world, and I found myself. You all are my inspiration. I want to sing this last song and dedicate it to all of you guys."

Beyonce As a Bride: Beautiful As Ever? Tell Us On Facebook

After a clip of a very young Beyoncé thanking the judges in a talent show, the singer stands center stage and belts out the lush, inspirational ballad over a montage of home videos from her childhood, through her rise with Destiny's Child and into solo superstardom. And, oh yeah, a blink-and-you-miss-it shot even includes a peek at the voluminous white wedding gown she wore at her very private wedding to Jigga, not to mention some silly footage of Queen B getting her Slip 'n Slide on.

The "End of Time" video is the opposite end of the spectrum, a red-laser-flashing uptempo dance marathon with Beyoncé and her four sexy backup dancers shaking it over the song's Brazilian drum beat. Fans get to see the many looks Bey tried on while performing the tune, including shots of her with her female dancers to others with a squad of male hoofers, as well as a wide range of costumes, from a yellow fringe number to a gold jacket and the silver number from the "I Was Here" clip.

'X Factor' MC Astro Calls Drake's Take Care 'A Classic' 'I feel like I'm trying to be a part of that group that brings hip-hop back,' pint-size rapper tells MTV News backstage

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While many of his fellow contestants were getting dinged for not going hard enough on Wednesday night's rock-themed episode of "X Factor," that was not a problem for pint-size sensation Astro. The swagtastic 15-year-old rapper with the heart of a champion put up another great performance with a cover of Diddy's "I'll Be Missing You."

And though he's lamented that hip-hop is dead and he's the one to bring it back, Astro did make an exception for one artist he thinks is killing it right now.

"You can't not say Jay-Z," he told MTV News' Jim Cantiello after the show when asked to name anyone besides the Jiggaman who is on top of their game right now. "That has to be included. Jay, Kanye, Lupe [Fiasco], Pharrell ... Drake? That album is classic," he added about the Canadian MC's just-released Take Care. "Everything from the artwork, the inside pictures. Drake is awesome, and I feel like I'm trying to be a part of that group that brings hip-hop back also."

Astro — whose song fit the rock theme if only because Diddy sampled the Police classic "Every Breath You Take" — paid homage to a number of fallen hip-hop greats during his performance. Surrounded by huge video screens scrolling the names of late rap icons including Tupac, Heavy D, Left Eye and Jam Master Jay, judge L.A. Reid's protĂ©gĂ© delivered another performance beyond his years. With a pair of boom box medallions on his chain and Beats by Dre headphones around his neck, Astro got all thumbs-up from the panel.

"Can you just suck for once?" Paula Abdul pleaded. "I don't think you can. You are phenomenal. You are amazing. You are ready right now. In the studio, selling millions of albums."

Occupy Wall Street Takes 'Action' Through New York Protesters clash with police in Zuccotti Park on two-month anniversary of Occupy movement.

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NEW YORK — Protesters marched en masse on the New York Stock Exchange, clashed with police officers in Zuccotti Park, and planned ambitious takeovers of the New York City Subway line Thursday (November 17), the two-month anniversary of the Occupy Wall Street movement.

Dubbed the International Day of Action, it began early (around 7:30 a.m.) with a gathering in Zuccotti, the movement's home until earlier this week, when the NYPD forcibly removed protesters from the park. They then began marching toward the Stock Exchange, holding signs, waving banners and chanting "All Day, All Week, Occupy Wall Street."

The police presence was heavy, with officers in full riot gear, and from the onset, the NYPD made it clear that the Occupiers were forbidden from marching in the street — since they didn't have a parade permit — and barricades lined the path that led up to Wall Street. As the crowds grew closer to their intended target, they were rebuffed by officers, many clutching their clubs, and forced to separate into smaller groups, who marched up and down Broadway, looking for an unguarded entrance into the financial district, which had reportedly been dubbed "a frozen zone" by the NYPD.

Click through to "Voices From Occupy Wall Street" — our interactive photo gallery — and get to know 20 young demonstrators' motivations, hopes and goals.

A mass of roughly 200 protesters headed south, attempting to cross Broadway in front of the Trinity Church, only to be blocked by police in riot gear. As tour buses passed by — with curious onlookers snapping photos for the folks back home — they chanted, "We pay your salary!" and "These are our streets!" until, peacefully, the barricade was lifted, and the march continued. As they walked, they held handmade signs that read "Castrate the Bull" and "Tear Down the Wall," while the NYPD followed on motorcycles, leading the protesters to chant "The cops are marching with us!"

The mood changed once the crowd managed to cross Broadway, moving north toward the heavily barricaded entrance to Wall Street itself. As they passed by the Chase Bank building, they were greeted by several employees (and even more police officers) who catcalled, "Why don't you do something real?" The protesters responded with chants of "F--- Chase Bank!" and "We are the 99 percent, and so are you," while a police officer yelled into a bullhorn for them to clear the sidewalk, or be arrested. Three Occupiers, failing to move, were taken away in handcuffs, as the crowd cheered and throngs of media jostled to photograph the action.

Finding any and all entrances to Wall Street blocked, the protesters turned and headed back to Zuccotti Park, which had been fortified by police barricades and a heavy presence of officers. As the overcast skies finally opened up, many attempted to seek shelter beneath the park's trees, only to be turned away by the NYPD. One officer shoved a man, and as protesters attempted to remove the barricades, there were several other scuffles, which led to one protester being led out of the park with a badly bloodied head and reports of an officer being cut on the hand by an Occupier wielding a piece of broken glass.

At 3 p.m., with a steady rain falling, protesters began marching up Broadway once again, this time en route to Union Square, to join a student strike. At 5 p.m., they'll board the subway — which already is heavily fortified by police officers — down to the Brooklyn Bridge, where they'll march across carrying candles, a protest dubbed "the festival of lights."

Selena Gomez Felt 'Relaxed' In 'Hit The Lights' Video 'I'm trying to explain where I'm at in my life,' she tells MTV News of the laid-back party clip.

elena Gomez's sun-drenched party video for "Hit the Lights" celebrates the joie de vivre of being young and having fun.

Directed by Philip Andelman (Jonas Brothers, Beyoncé, Ludacris, Jay-Z), the video celebrates the spirit of who Gomez is right now in her life, she told MTV News.

"This one's saying that I'm at the point where I'm having fun with it. I'm not trying to be older. I'm not trying to be younger. I'm trying to explain where I'm at in my life, and I feel like that's what describes it, and having fun with my friends and it was beautiful and it was simple," she said in a phone interview. "I thought it was nice."

The song is about embracing life and throwing caution to the wind — emotions that are certainly captured in the video's colorful party scenes.

"To be honest, I didn't really quite know the direction that I wanted it in the beginning," she said. "When we read this treatment, my mom and I really, really liked it, and we thought it would look really cool. And then when we got on set, it just took it to a whole other level."

The organic nature of the video, which follows Gomez and her pals as they make their way from a day hanging out in the country to a house party later that night, is really what interested Gomez.

"It was very relaxed, which is really refreshing, because most of my videos require a lot of [work]. Either there's wardrobe changes that are intense and there's hair and makeup that's really out there, but this one was just a little more relaxed and organic," she said. "My favorite scene would probably be when me and my band and my dancers are in the back of the truck and we're eating watermelon and we're just hanging out."

What do you think of Selena's new video? Let us know in the comments!

Lady Gaga Is 'Interrupted' In 'Marry The Night' Preview Mother Monster gives a monologue as she's pushed around on a gurney by two nurses in new teaser clip

After wrapping up a performance abroad on Thursday (November 17), Lady Gaga gave fans what she'd promised.

In a tweet posted Thursday afternoon, she wrote, "MARRY THE NIGHT: THE PRELUDE PATHÉTIQUE," with a link to a teaser for the full-length clip for her latest Born This Way track.

Directed by Gaga herself and clocking in at nearly two minutes, the preview pays homage to high school feminist literature like "The Bell Jar" and "Girl, Interrupted." As the image of a brunette Gaga fades in, a very "Prozac Nation"-esque voiceover kicks in: "When I look back on my life, it's not that I don't want to see things exactly as they happened, it's just that I prefer to remember them in an artistic way.

"And, truthfully, the lie of it all is much more honest because I invented it," Gaga continues, as a close-up of her face fills the screen. "Clinical psychology tells us arguably that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics — they can be lost forever. It's sort of like my past is an unfinished painting, and as the artist of that painting, I must fill in all the ugly holes and make it beautiful again."

The camera pans out a bit more to reveal that Gaga is on a gurney, being pushed down the hallway by two nurses (an image teased in a still last week). "It's not that I've been dishonest, it's just that I loathe reality," she confesses as the nurses push her down a hallway.

Still giving her monologue, Gaga adds, "For example, those nurses, they're wearing next season Calvin Klein and so am I. And the shoes? Custom Giuseppe Zanotti. I tipped their gauze hats to the side like Parisian berets because I think it's romantic and I also believe that mint will be very big in fashion next spring." As the nurses open a door, the pop star says, "Check out the nurse on the right. She's got a great ass. Bam."

In the next frame, several other patients are revealed. "The truth is, back then at the clinic they only wore those funny hats to keep the blood out of their hair," Lady Gaga says. "And that girl on the left, she ordered gummy bears and a knife a couple hours ago. They only gave her the gummy bears; I wish they'd only given me the gummy bears."

The tease closes with those two nurses pushing Gaga and leaving fans to wonder what's next for their Mother Monster. While the release date for the video is still unknown, the singer did have this information for her fans: "The full prelude is 7 min 33 seconds & 15 frames."

Last month, Gaga was spotted shooting the video in various locations throughout New York City. The song itself is a tribute to her hometown.

Share your thoughts on Gaga's latest teaser in the comments!

Heavy D Was 'In Great Shape,' His Brother Says 'He constantly made sure that his health was in check,' Floyd Myers tells MTV News after public memorial.

Heavy D will be missed, and fans aren't the only ones searching for answers about his sudden death.

On Thursday (November 17), MTV News visited the Mount Vernon, New York, home of Heavy D's family, who are still grieving over the passing of their beloved Dwight Myers.

"Heavy was in great shape," Floyd Myers, the fallen rapper's brother and business partner, told MTV News. "You guys seen him at the BET Awards, and he just did the tribute to Michael Jackson; they flew him out to London to do that. Heav was in good shape, healthy, no heart problems. He constantly made sure that his health was in check."

The initial autopsy report came back inconclusive, but Myers said he spoke to his hitmaking brother the day before he died, and as far as he could tell, there were no signs that he was ill. On records and onscreen, Heavy D promoted love and positivity. Myers assured that his brother was the same way even when the cameras weren't on him.

"He loved family, and that's who he was, but it wasn't too much different from how he treated his friends and his fans," he said. "He showed everybody love and affection, and we're gonna miss that."

On Thursday, fans gathered at Grace Baptist Church in Mount Vernon for a public viewing and a chance to say goodbye to the Overweight Lover before his private funeral on Friday. The public support has been remarkable, and Myers admitted that he didn't know Heavy had impacted so many people.

"I didn't realize how he built his legacy and how it stands today because of the things that he has done and has not done over the years," Myers said of his brother's dedication to only partake in the positive business ventures. "There was just certain things that Heav just wouldn't do, and we used to riff at him. We used to be like, 'Yo, that's a lot of money you turning down,' but it wasn't the right thing to do. Maybe if he would've did those things, his legacy would have not been sealed the way it is today."

Despite their current grief, the tremendous amount of support from fans and friends like Sean "Diddy" Combs, Andre Harrell, Russell Simmons and producer Eddie F. have helped alleviate some of the Myers family's pain. "Besides the famous guys, it's the regular dudes on the street that's just throwing out love to my family. It's taken the sting out a little bit," Myers said.

In support of Heavy D's daughter Xia Myers, the family has set up the Heavy D and Xia Myers Fund. To learn more, fans can visit RememberHeavyD.com.

'X Factor' Loses Stacy Francis As Astro Loses His Cool 'I don't want to perform for people who don't want me here,' mini-MC says after landing in the bottom two.

acy Francis — the 42-year-old diva who once pleaded to Simon Cowell, "I don't want to die with this music in me!" — was eliminated from "The X Factor" Thursday night (November 17). But the bigger story was 15-year-old hip-hop dynamo Astro, who found himself in the bottom two with Francis and was none too pleased with his fate.

Asked to sing for his life in front of the judges, Astro nonchalantly strolled onto the stage and announced, "I really don't wanna perform. I feel like it's unnecessary." He turned to his mentor, L.A. Reid: "But I'mma leave it up to you. You're my mentor. Do you think I should perform?"

Reid told Astro he had come a long way in the competition and that he should perform. Astro turned back and proceeded to give a halfhearted, visibly jaded performance of a song in which he talked about his experiences on the show. Francis, for her song, belted out "Amazing Grace."

When it came time for the judges to make their decision, Astro was scolded for his attitude by the panel, with Reid telling him, "You acted a little bit like a quitter, and it upset me." But Cowell was the hardest on the Brooklyn MC — whom Rihanna once compared to "a mini J. Cole" — telling him, "I don't like your attitude right now."

"Look at me, and think about your mum watching the show," Cowell said to him. "Because you are showing disrespect to your mom. You are showing disrespect to the audience at home, and I don't like people with this attitude."

Astro retorted, "No disrespect to you or this show, but I just feel like if you're going to put me in the bottom two, I don't want to perform for people who don't want me here, you know what I'm saying? That's it."

By this time, Astro was being showered with boos from the audience, and a tear that had welled up in his eye began to stream down his face. Cowell asked if he'd take the same attitude if put in the position again, and Astro apologized, telling him, "Honestly, man, it's cool."

With the audience chanting, "Stacy! Stacy!" Cowell cast his deciding vote. "I really don't want to do this," he said, voting for Astro to stay, saying he thinks he had a better chance of winning the show and ultimately sending Francis packing with a 3-1 vote in favor of her ouster. (Nicole Scherzinger, Francis' mentor, was the sole vote for her to remain.)

Francis thanked the judges for her time on the show and took responsibility for her so-so rendition of Meat Loaf's "It's All Coming Back to Me Now" the night prior, which was slammed by Cowell.

"I don't believe I did great last night. I go with that, and I have to suck up my pride and take responsibility for the performance I gave," Francis said. "I just want to thank Simon Cowell for giving me a chance, because I'm 42 years old, and he allowed me to sing for the world week to week."

Earlier in the night, Paula Abdul — who had already seen two of her groups get kicked off the show — caught a break when she learned her sole remaining group in the competition, Lakoda Rayne, was voted through to next week. Upon hearing the news, Cowell looked as though William Hung just won a Grammy, while Abdul proudly crowed, "I told you so, I told you so!" During the commercial break following the announcement, Cowell tweeted, "How the hell did that happen?"

The episode also featured a performance from Rihanna, who showcased her current Billboard chart-topping single "We Found Love." While it was presented as live, the performance was taped following Wednesday's episode.

The top 10 contestants opened the show with a group rendition of Queen's "We Will Rock You," celebrating the week's rock and roll theme.

What did you think of Astro's reaction to his near-elimination? Let us know in the comments!

Heavy D Was An 'Icon,' Red Cafe Says 'He was just a big dude with swag, and then you seen Biggie follow suit and you see Rick Ross follow suit,' he tells MTV News.

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Red Café may have only met Heavy D a few months before his death, but the Overweight Lover remained an inspiration to the Bad Boy rapper.

"I gotta tip my hat, raise my glass to Heavy D for paving the way for me to be able to do this," Red told MTV News during MTV2's Sucker Free Awards in Miami last week. "Heavy D was instrumental on me being a part of hip-hop. The Overweight Lover brought the swag to the game, so for me, it was a great loss for me."

The fallen rapper was close friends with Bad Boy founder Diddy; their relationship dates back to their days at Uptown Records, where Puff interned back in the early 1990s. "I got a chance to meet Heavy D at Puff's house a few months ago, and he knew who I was," Red Café shared. "Heavy D knew who I was. He was like, 'Yo, dog I've been hearin' about you, I've been watching your movement,' and, you know, that was so inspiring for me, 'cause I grew up on Heavy D."

Through his music, Heavy D embraced his physical stature. Songs like "The Overweight Lover," "Mr. Big Stuff" and his 1991 dance hit "Now That We Found Love" helped brand the rapper as not only a hitmaker, but a sex symbol as well. It was a blueprint that many rappers after him followed.

"He was just a big dude with swag, and then you seen Biggie follow suit and you see Rick Ross follow suit, so Heavy D is instrumental in the game and very important," Red said. "He's an icon, and I salute him. Rest in peace. He's in a better place, and you know we love you. Your music will live forever, believe that."

There was a public viewing for the fallen rapper Thursday at Grace Baptist Church in Mount Vernon, New York, and a private funeral service for family and close friends is set for Friday (November 18). BET is planning a special tribute to Heavy D during November 27's Soul Train Awards. Rappers Big Daddy Kane, Doug E. Fresh, Curtis Blow, Naughty by Nature, Whodini and Stetsasonic's Daddy-O are all said to be taking part.

How has Heavy D inspired you? Tell us in the comments.

Rihanna Set To Talk That Talk With Best Buy Partnership Electronics retailer will give away singer's album free with purchase of mobile phone contract.

Partnerships in conjunction with album releases are nothing new, but Rihanna has found a way to make the business move all her own.

Best Buy has announced that on Monday, the same day that Rihanna drops her new album Talk That Talk, the retail chain will give away the album for free to anyone who buys and activates any contract mobile phone at a Best Buy or Best Buy Mobile location, as well as online.

"Rihanna is one of the biggest stars in music today and we expect this to be a big release," senior vice president and general manager for the home entertainment group at Best Buy, Chris Homeister, said in a statement about the partnership. "Leveraging our Best Buy Mobile business on this offer sets us apart from the competition and gives consumers a great reason to visit Best Buy for their music and smartphone needs."

The singer is currently riding high off the release of two singles in the lead-up to the release of TTT. She hit the top of the charts with "We Found Love" and just last week dropped the follow-up, "You Da One."

"This is one of those records, it becomes very addictive," she said of the track. "To me, it's very infectious: The more you listen to it, the more you want to listen to it. It had a reggae vibe, but it's a sweet little love letter. I love the record. It's kind of dirty, I love it." Talk That Talk features production credits from Bangladesh, Dr. Luke, Calvin Harris, Stargate and The-Dream. Her longtime pal and mentor Jay-Z also makes an appearance on the album's title track.

Eminem, Yelawolf Tackle Race, Drugs In New Interview 'As I was listening to his music, I am not even thinking about any of that,' Eminem tells Vibe about working with Yelawolf.

Eminem wasn't the first-ever white rapper, but when Slim Shady kicked in hip-hop's doors in 1999, he was still an anomaly. In 2011, Yelawolf doesn't have quite the same difficulty, as the white rapper stigma, for the most part, has subsided. It's a topic that Em and Yela discuss in the December/January issue of Vibe magazine.

In the magazine's cover story, Eminem tells veteran writer Erik Parker that he and Wolf, who Em signed to Shady Records earlier this year, hardly consider race while in the studio. "We make jokes about it, but I don't think we talk about it in depth," he said. "As I was listening to his music, I am not even thinking about any of that sh--. It's just the music. That's one of the things that's great about it. I'm not even thinking about it when I hear the music."

They did make light of it in the studio, however. "We do poke fun of it because it's funny. Like, he calls me White Dog," Yela said.

"Yeah, or Beige Sheep," Em joked.

Growing up in Alabama, Yela learned a lot about race relations, especially as it pertains to hip-hop culture. And while a rapper like Kreayshawn affiliate V-Nasty may feel comfortable dropping the N-word, Wolf insists that that is a no-no. "[In Alabama] we have a dark history concerning the relationship between black and white people. I'm not a role model by any means, but if I said it around the house, I got popped in the mouth," he said.

Eminem insists that race is secondary to music. "We deal with it enough as it is. So now, let's make music," Eminem said.

"Let's make great records. At the end of the day, that's all there is to do," Yela, whose debut album, Radioactive, hits shelves November 21, added.

When the topic of drugs came up, a clean and sober Em joked that he recently shot heroin, making light of a situation that he had previously taken so seriously. That opened the door for Yela to talk about his own experience with narcotics.

"I started smoking weed at 11. By 12, I was smoking dust. Thirteen, acid, Freon, Special K, mushrooms; 16 years old, I was selling X pills at school. Not even because I was a good dope boy, but because I was a scumbag," the tatted-up rapper revealed. "It was called chocolate chip, and it had heroin in it. I used to take that sh-- and go to class. I went so heavy into drugs that I had a bad trip one time that lasted for months."

The December/January issue of Vibe magazine hits newsstands nationwide on December 6.

'Yo! MTV Raps' Returns For December 4 Special Classic hip-hop special will air on MTV2 after first annual Sucker Free Awards.

all it the "Beavis and Butt-Head" factor, but suddenly everything old is, like, cool again. Or something. Case in point: On December 4, MTV2 will herald the return of one of the most beloved franchises in MTV history, "Yo! MTV Raps."

The show, which originally aired from 1988 to 1995, was the first major hip-hop program on a network, and it helped rap videos blow up globally as it gave some of the biggest stars of the day a forum to talk about their music with hosts Fab 5 Freddy, Ed Lover and Dr. Dre.

The 30-minute retrospective, entitled, "Yo! MTV Raps Classic Cuts," will air just after the first annual Sucker Free Awards, which premiere at 11 p.m. on December 4. The show's original hosts will be on hand to discuss some of the clips that aired on the program, including interviews with the masterminds behind three of the all-time "Yo!" classics: A Tribe Called Quest's "Scenario," Geto Boys' "My Mind's Playing Tricks on Me" and Ice Cube's "It Was a Good Day."

"It's a great moment to be reconnected with 'Yo!' and examine the music that had a role in introducing hip-hop to music lovers globally," former co-host Ed Lover said. "By looking back at these classic songs in hip-hop it becomes clear that hip-hop would inevitably transcend distance and generations."

Among the artists viewers will hear from on the special are: Q-Tip, Scarface, Ice Cube, Wiz Khalifa, DJ Khaled, Questlove, Busta Rhymes, Mac Miller, Machine Gun Kelly, Young Jeezy, Ali Shaheed Muhammad, Phife, Fat Joe, Common, Mike Epps, Ice-T, Meek Mill, Tyga and Naughty by Nature. As a bonus, DJ Premier will also be in the house to remix the iconic "Yo!" theme song.

"In this Classic Cuts special, people will go back to a seminal time in hip-hop, which many have called the 'Golden Era,' resulting in records that are as meaningful today as they were back then," said original host and hip-hip pioneer Fab 5 Freddy. "In order to appreciate how far hip-hop has come, you have to pay respect to the songs and artists that helped catapult the genre from a small community of fans to world domination."

The "Yo!" special will also cap a monthlong celebration of hip-hop that will culminate with the Sucker Free Awards hosted by MTV's Sway Calloway.

Vote for your favorites now on SuckerFreeAwards.MTV2.com, and don't forget to tune in December 4 at 11 p.m. ET on MTV2 for the first Sucker Free Awards!

U2's Iconic Achtung Baby: 20 Years Later To mark the anniversary of the album that changed U2 forever, MTV News spoke to the man who wrote the book on the band's once heady times.

wenty years ago, U2 — slightly removed from the double-barrel success of The Joshua Tree and Rattle and Hum — were a band in crisis. Sure, they were arguably the biggest rock act on the planet, but, for the first time in their career, they had felt the sting of critical backlash: Many felt Hum's accompanying documentary, which followed the band across America, was grandiose and self-righteous (even its director would later call it "pretentious"), and the group couldn't help but wonder if perhaps the critics were right.

Had U2 become too big? Had their fascination with all things American (the songs of Johnny Cash, B.B. King and Bob Dylan, the spiritualism of gospel choirs, the sanctity of Sun Studios and Graceland) led them too far from their roots? Were Bono's sociopolitical viewpoints detracting from the power of the band? And, really, after a decade spent trying to conquer the world — and succeeding — what did U2 really have left to accomplish?

They took all those questions (and more) to Berlin, where they hoped to be inspired by the German Reunification and the ghosts of David Bowie and Iggy Pop, both of whom had rediscovered and reinvented themselves there. But, as you'd probably expect, things didn't go according to plan. The sessions bore little fruit as U2 struggled to redefine the group and clear divisions began to develop among bandmembers that had always considered themselves friends first. There was talk of quitting altogether; that rather than continue to fracture, perhaps it was time to call it a day.

Thankfully, they didn't. In a way, those Berlin sessions not only made U2 stronger, but they made them realize that things had to change. Gone were the grandiose gestures and bombastic ballads, replaced instead with an entirely new sound: one that embraced the burgeoning club scene of Europe, the streaked sonics of alt-rock, the artful artifice of Bowie and the adventurous explorations of producer Brian Eno. U2 had redefined what it meant to be a rock band in the 1990s, and they did it all with one marvelous album, Achtung Baby, which marks its 20th anniversary on Saturday.

So in celebration of the album that not only forged new territory, but launched the second phase of U2's epic career, MTV News spoke to the man who was there to witness it all, author and critic Bill Flanagan. He wrote what is arguably the definitive book on the band's Achtung era, "U2: At the End of the World," a sprawling, dense thing that followed them from the recording studio to the stage, on their massive, hugely influential Zoo TV Tour, and beyond. And today, he's looking back on the album that changed everything. Starting, of course, at the beginning.

"Rattle and Hum was a hugely successful album, spun off a bunch of hit singles," Flanagan said. "You couldn't have asked for more from it, commercially, but there was a critical backlash, which probably had as much to do with the movie as anything. Critics were saying, 'Wait a minute, when did these guys become the prophets of rock and roll, telling Americans about Johnny Cash and B.B. King and Bob Dylan?' And any other band in that circumstance ... would go, 'Who cares about the critics, what do they know?' But one of the things that's unusual about U2 is that they sort of took the criticism to heart, and thought, 'Actually, they may have a point.'

"When they saw how [the film] looked, they felt it was a dead end. ... And they didn't want to be trapped; they didn't want be stuck wearing cowboy hats and waving a white flag up and down the stage forever," he continued. "It was a huge risk because, look, when you'd become as big as they had become after The Joshua Tree, everybody tells you 'Don't mess with it.' Nobody says, 'What a good idea, you're going to change your sound, change the way you look.' "

Still, undaunted, U2 headed to Berlin's Hansa Studios, the same place Bowie had recorded Low and Heroes, and where Iggy made The Idiot. And it was there where they split into two distinct camps: those who wanted to try something new, and those who argued there was no point in messing with success.

"There was this great argument about what it meant to reinvent themselves. Bono and Edge were very dedicated to the theory that they had to do something that was dramatically different, and [drummer] Larry [Mullen] and [bassist] Adam [Clayton] weren't totally buying it," Flanagan said. "It became really tense. They didn't feel like they were getting the work done, they just felt like they weren't coming up with good stuff, and they talked about maybe throwing in the towel; that maybe they should go out on top and not become one of those bands that just becomes a worse and worse version of itself."

There were also external pressures, namely from the band's significant others, who, having watched them win over the world, wanted nothing more than them to come home.

"There was a lot on the line with the band, and there was a lot on the line with their families. They'd put a lot of things on hold with their families while they were trying to conquer the world in the '80s," Flanagan said. "They were wealthy, so there was a real question from the wives of, like, 'Well, OK, now you've done what you wanted to do, and now you're going to stay home.' So that was part of the pressure that was on them, like, 'What's the reason?' When you started doing something when you were 15 or 16, and now you're 30 ... you're starting to have kids ... things change."

Of course, we all know how things turned out. After additional sessions in Dublin, U2 had gone through the fire and emerged with Achtung Baby, a delightfully odd thing that was a very big risk, to say the very least. ("People were taken aback by it," Flanagan said. "They thought they had lost their minds.") But for all the sonic adventurousness of tracks like "Zoo Station" or "The Fly," there was a definite heart to the lyrics ... one that was very much inspired by Bono's own domestic dilemmas.

"The lyrics were actually, for the most part, actually quite confessional, even if they were disguised. It's about relationships, marriage, the lure of freedom versus the responsibilities of domesticity," Flanagan explained. "And that's what gives the album its emotional weight. ... And the sound of the album, the beats, the rhythmic improvisations they did and the sonics, which I think, really, is where Edge and Eno and Lilywhite and Flood, the engineer, really got to have some fun. People didn't know what to make of the album."

And looking back 20 years later, Flanagan said that all the head-scratching surrounding Achtung Baby probably wasn't justified. Sure, it's a sonically amorphous listen and, thematically, it deals with weighty topics like sexuality and spirituality. Of course, it's a gaudy thing and, yes, it saw Bono playing characters like the Fly and MacPhisto. But at its core, it's also an album unlike any other; the kind huge bands don't have the balls to make these days. And because of all that, it's unquestionably real, and that authenticity makes it an all-time classic.

"The really great albums, like Revolver by the Beatles or Blonde on Blonde by Bob Dylan, just create their own sonic world ... and Achtung Baby does that," Flanagan said. "It doesn't sound like it's part of the Manchester thing, it doesn't sound like it's part of the Grunge thing, it doesn't sound like it's part of what Public Enemy and N.W.A were doing. It just sounds like it's Achtung Baby.

"And that's kind of the most important thing a record can do. That's why people still like Led Zeppelin and that's why people still like Pink Floyd; there's not really other stuff that does it. If you're in the mood for a Led Zeppelin record, you've got to put on a Led Zeppelin record. And I think if you are in the mood for Achtung Baby, there's no other album you can go to, that have that combination of vulnerability in the lyric and authority in the music and just tremendous fun in the production."

Share your favorite cuts from Achtung Baby in the comments below!

Rick Ross Promises A 'Classic Debut' From Meek Mill 'You can expect real hip-hop from me: spit, versatility,' Philly MC tells 'RapFix Live.'

Meek Mill is on fire right now. Just last week the Maybach Music rookie dropped the high-powered remix of his "Ima Boss" single, and while another rapper in his position might rush to put an album out in order to capitalize off the momentum, Meek is taking his time.

When Meek Milly's debut album does drop his MMG boss, Rick Ross, has no doubt that it'll be quality. As a matter of fact, when Rozay and Meek were featured on "RapFix Live" on Wednesday, the Bawse made the proclamation of all proclamations. "Meek Mill debut gonna be a classic," Ross boasted as his Philadelphia protégé nodded in agreement.

"You can be expecting something by the summer — if not the summer, before the summer," Meek told "RFL" of his yet-untitled LP. "You can expect real hip-hop from me: spit, versatility. Like Ross said, it ain't about quantity, it's about quality. I like to take my time, put out good records, pick good beats, pick good features."

So far so good. Meek is building a reputation for making hard street bangers thanks to tracks like "Tupac Back" and "Ima Boss," his two singles from this year's MMG compilation Self Made Vol.1. And Meek's latest Dreamchasers mixtape yielded yet another street favorite in the Young Chris-assisted "House Party." But rather than focus on the right now, the fiery MC understands that you only get one chance to make your first album, so he's in no rush.

"That's what the focus is: making sure it's classic. And I'm really excited and proud that the homey is taking his time to go to that next level," Ross said. "Of course he's the hardest new artist in the game — we know that, hands down. Of course he can capitalize right now and we know that, that's the obvious. But what's not, is his debut album will be a classic."

Do you think Meek Mill has what it takes to deliver a classic debut? Tell us in the comments!

Paramore Look To Rediscover 'Fun' On New Album In new interview, Paramore talk about moving on from the Farros and inspiring fans.

Paramore are moving forward, with a song-a-month "Singles Club" and plans for a new album in 2012. But in the new issue of Alternative Press (on newsstands December 1), they aren't shying away from the past either.

For the magazine's cover story, Paramore discuss the departure of founding members Josh and Zac Farro last winter and how it forced them to realize that perhaps they had been approaching the business of being in a band from the wrong angle. Namely, they forgot all about the fun.

"We've always enjoyed what we do," guitarist Taylor York told the magazine, "but we'd watch other bands on tour with us, and they would just be having a blast. They'd be in vans, all cramming in one hotel room. Every day, they were just stoked to be there. In my head, I'm like, 'Either they're just really mistaken, or we're missing something. I don't think it's possible to have that much fun.' "

"I felt so bad for the longest time, because we made being in a band look like it wasn't fun," frontwoman Hayley Williams added. "In my opinion. Other people might not have thought that, but you imagine all the interviews we did where it was just like, 'Uhh ... ' "

Gee, wonder which interview she's referring to? Still, after surviving the split with the Farros, Paramore rediscovered the joy of being in a band while on tour in South America, and that's what gave them the desire to press on with a new album.

"This winter, when Zac and Josh left, we went through a really hard time," York said. "I think we had to go through that. We all love each other, but we had to come together so closely that we really rediscovered how much we really love each other — and how much we love playing music. We had to go through that to realize what we had."

Recharged, Paramore are pressing on with their new record — one that, from the sound of things, will be a spirited affair indeed.

"It's important for young people to know how much fun it is to make music with your friends," Williams said. "You have to fight for it, of course, but it's the biggest gift to play music for people, and it's a gift even if you're not playing for anybody. It's fun, and I'm excited. We're stoked to have that spirit revolving around this [forthcoming] album and just relax into the process."

What are you expecting from Paramore's next album? Let us know in the comments!

Nas In 'Rare Form' On New Album, Salaam Remi Says 'All his verses on the album, it sounds like you're getting smacked upside the head,' producer tells Mixtape Daily.

Behind the Beats: Salaam Remi
Salaam Remi and Nas didn't start out as buddies, but some things are just meant to be.

By the time Nas was putting out his classic rap LP Illmatic, Salaam was separately making his mark, already having produced for seminal hip-hop star Kurtis Blow at the age of 14. Though they hailed from the same Queens, New York, neighborhood and ran in similar circles, Nas and Salaam didn't hook up until 2001, when Nas requested a beat from Remi for his Stillmatic LP.

Now, 10 years later, he and Nas are still at it, working on God's Son's upcoming 10th solo studio album.

"Life is different, and at this point, life is good and dudes is looking younger now than they did when they were 25," Remi told Mixtape Daily. "So he's just in that rare form."

It's surprising that they didn't hook up sooner, but after going through a small spat with one of Nas' mentors, Large Professor, Remi never got the chance to really get to know Nas earlier. But a 2001 chance meeting in L.A. led to one of hip-hop's most organic partnerships.

"I created the track for 'What Goes Around (Poison),' and I sent it to him," Remi recalled. "And when I sent it to him, at the end of the day, we're in the same neighborhood."

Remi's discography is long and diverse. In 1991, he worked alongside Marley Marl on Craig G's Now, That's More Like It album, and three years later, he produced Ini Kamoze's reggae hit "Here Comes the Hotstepper." Salaam, however, is most known for producing the Fugees' 1996 smash single "Fu-Gee-La" from their Grammy-winning The Score LP. Then, of course, there is his work with Amy Winehouse on her 2006 breakout, Back to Black.

Since hooking up, Salaam has been responsible for a number of Nas bangers: 2003's "Made You Look" was noted for its authentic New York feel, while the uplifting "I Can" sampled its drums from the Honeydrippers' "Impeach the President," one of the most recognizable samples in hip-hop. In 2004, Remi crafted "Thief's Theme" and Nas' collaboration with his dad, "Bridging the Gap"

More recently, the two have come up with the gritty "Nasty," the first single from the Queens rap legend's upcoming album. On the boom-bap-inspired track, Nas chooses to bypass any notions of going pop, instead setting his sets on hip-hop's underground. It's a welcomed departure from the hip-hop that occupies top 40 radio these days, but Salaam promised that the sound on Esco's next album will be diverse.

"Musically, I have an array of records," he said. "You got some 'Nasty'-type stuff, you have stuff that's in the middle, up, down. I have all types of stuff. Just at the end of the day, we have to see what feels right for that package of 10 to 12 songs, because it's way more songs."

The expectations for this new Nas album are high, and Remi assured fans that his friend will deliver.

"He sounds like he's on his A-game writing," he said. "All his features at this point, all his verses on the album, it sounds like you're getting smacked upside the head. As much as 'Nasty' has that type of beat, it's really him on the beat that's making it connect all the way."

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.

T-Pain Fights Off Auto Intruders, On 'When I Was 17' Singer recalls a hazard of living out of your car on latest episode, airing Saturday at 11 a.m. ET/PT on MTV.

T-Pain wasn't always living the lavish lifestyle he has now. The Auto-Tune pioneer opens up about his humble beginnings in this week's episode of "When I Was 17," airing Saturday at 11 a.m. ET/PT on MTV.

"When I was 17, I was living in and out of my '81 Oldsmobile Cutlass," T-Pain said on the episode, also featuring Common and "Twilight" star Alex Meraz.

"It was pretty beat-up on the outside and the inside, and it had a horrible smell," T-Pain's wife, Amber, added.

T-Pain's car put a roof over his head and provided a spot for romantic getaways. "I used to have sex in it a lot," he offered up bluntly.

During one steamy session, T-Pain and his girlfriend at the time were interrupted by intruders trying to break into the car. "It just so happened we were getting dressed," he recalled. "This guy tries to get into this car."

T-Pain wasn't worried; his car was filled with tools he could use to fight back.

"I got crazy amount of just things in my car," he said. "There's some pipes, there's a wrench. So I'm trying to pull my pants up and chuck this dude at the same time." The intruder eventually walked away.

T-Pain's girlfriend at the time was frantic and asked him a very ridiculous question. "My girlfriend was screaming. The stupidest question she asked me of that night was, 'Did you know that guy?' And I'm like, 'What? Why would I know this dude?' " T-Pain laughed.

Howie D Doing Crunches Before Britney Spears Lap Dance Backstreet Boy jokes to MTV News that he'll be ready 'if she does, by chance, pick me to do that' on Femme Fatale Tour.

Howie D is set to hit the road with Britney Spears on her Femme Fatale Tour this weekend, but there's one thing he may not be ready for: getting one of her famous onstage lap dances.

"I just heard about it, and it just means that I have to go into major workout mode now," the Backstreet Boy joked to MTV News. "I have to do more pushups and crunches than I ever did, because I want to make sure that I represent myself and my group properly."

If Brit does decide to give him a lap dance, he already sees a potential perk. "If she does, by chance, pick me to do that, which I'm not opposed to, it's a good get-out-of-jail-free card for me," he laughed, pointing to his wedding band. "So I'm down with it. It's all in the name of music."

The string of South American tour dates happens to be timed perfectly to the release of Howie D's first-ever solo album, Back to Me, and he's got some fun stuff in store for lucky fans who come to check him out.

"Well, I'm actually taking a lot from what I've learned from the Backstreet Boys and implementing it into my show," he revealed. "Actually, on the show with me I have a DJ that's behind me and we're kind of working on some stuff together. [There's] even some Backstreet Boys songs. I'm definitely not shying away and presenting what the fans want to hear, but at the same time premiering some of my new songs off the record and it's just gonna be a fun, energy-packed, 'get your mind away for 20 minutes' on my set [show]."

Jay-Z Calls Watch The Throne Tour The 'Best Party' 'The most important thing is that the people that are coming to the concert are leaving there thrilled,' Hov tells MTV News.

The fans aren't the only ones having a ball during Jay-Z and Kanye West's Watch the Throne Tour. A hoarse Jay walked the red carpet of the GQ Men of the Year party in Hollywood on Thursday, and he could hardly contain his excitement.

"We're having a great time," Hov told MTV News' Jim Cantiello. "The most important thing is that the people that are coming to the concert are leaving there thrilled and we're having an amazing time. As you see, I don't have a voice," he laughed.

The tour, which kicked off last month in Atlanta, has been running for less than a month but has been met with rave reviews on each outing. Noted for its dual elevated stages and artsy video montages, Hov and 'Ye's grandiose WTT run has been one worthy of the royal rap duo. Aside from their Throne cuts, Jay and Kanye have pulled from their respective solo catalogs, performing early hits like "Where I'm From" and "Through the Wire," as well as new favorites like "Empire State of Mind" and "Runaway."

The highlight, however, is the duo's current single "N---as in Paris." Toward the end of the opening show in Atlanta, the two MCs performed the song twice; the next night, three times. At recent New York and Miami concerts, the track has been performed as many as four times in a single night. The Throne are slated to hit Connecticut's Mohegan Sun on Friday night (November 18) and Atlantic City on Saturday.

Jay-Z Calls Watch The Throne Tour The 'Best Party' 'The most important thing is that the people that are coming to the concert are leaving there thrilled,' Hov tells MTV News.

The fans aren't the only ones having a ball during Jay-Z and Kanye West's Watch the Throne Tour. A hoarse Jay walked the red carpet of the GQ Men of the Year party in Hollywood on Thursday, and he could hardly contain his excitement.

"We're having a great time," Hov told MTV News' Jim Cantiello. "The most important thing is that the people that are coming to the concert are leaving there thrilled and we're having an amazing time. As you see, I don't have a voice," he laughed.

The tour, which kicked off last month in Atlanta, has been running for less than a month but has been met with rave reviews on each outing. Noted for its dual elevated stages and artsy video montages, Hov and 'Ye's grandiose WTT run has been one worthy of the royal rap duo. Aside from their Throne cuts, Jay and Kanye have pulled from their respective solo catalogs, performing early hits like "Where I'm From" and "Through the Wire," as well as new favorites like "Empire State of Mind" and "Runaway."

The highlight, however, is the duo's current single "N---as in Paris." Toward the end of the opening show in Atlanta, the two MCs performed the song twice; the next night, three times. At recent New York and Miami concerts, the track has been performed as many as four times in a single night. The Throne are slated to hit Connecticut's Mohegan Sun on Friday night (November 18) and Atlantic City on Saturday.

"It's like the best party you've ever been to every night," Jay said. "It's star-studded and it's music and it's just unbelievable."

Justin Bieber Should 'Stay Strong,' Usher Says 'All of this comes with the territory,' Ush tells MTV News of paternity-suit drama.

Usher might not have known how big Justin Bieber would become when he discovered him a few years back, but he was pretty sure he had found something special.

Since Bieber burst on the scene with his My World EP back in 2009, the 17-year-old has grown up with the world watching. He's gone from up-and-comer to full-fledged pop sensation, racking up chart-topping albums and a box-office hit and becoming an all-around mega-heartthrob — all in two years.

Of course, with the good does come negative attention as well. Recently, Bieber was hit with a paternity lawsuit, which has since been dropped.

Usher, no stranger to his own controversies, had these words for the Biebs: "Stay strong. And know that all of this comes with the territory."

Aside from the drama, Usher is especially proud of Bieber's charitable side. His mentor said he "absolutely" knew the kid from Stratford, Ontario, had a big heart from the start.

"To write a check is only half of it, but when you truly take on a responsibility to be a philanthropist, you accept an effort, and I really think that Pencils of Promise is something that has a very bright future," Usher told MTV News at an event for the charity, noting that Bieber is a only a small part of it.

Usher — who appears on Bieber's new Christmas album, Under the Mistletoe — gives credit to the folks surrounding the teen superstar, including manager Scooter Braun. "Just judging from the determination and the will power of the entire team around Justin, I see a very, very promising [future] for him as a philanthropist," Usher said.

Beyonce/ Mary J. Blige Duet Was Meant For 4 'She sent it through her A&R people to give to me,' MJB says of My Life II's 'Love a Woman.'

Not sure how to keep your woman happy? Just ask Mary J. Blige and Beyoncé. The two divas lay out a tutorial on how to court the fairer sex with "Love a Woman," from MJB's upcoming My Life II ... The Journey Continues, Act I. But fans may be surprised to learn that the long-overdue collaboration was nearly a one-woman affair.

B initially recorded the song for her4 LP, but thought it would be a better fit as a duet with Mary.

"It was a song she recorded for her album that didn't fit her album and she sent it through her A&R people to give to me," Mary revealed to MTV News. "When the song came, her voice was on it completely and it was just amazing and I wasn't sure that they wanted to give me this record because it was so amazing."

The soothing track starts off with Mary sweetly singing, "So you think you know how to love a woman/ But I think it's still some things you need to know." As the flowery instrumental builds with a serene piano melody and accentuating horns, MJB goes on to warn that a woman needs more than material things. B turns up the heat demanding that she needs "more than sex," she needs to be made love to. From there, the song plays as a lyrical how-to. Communication is a must, as is respect, but coming home late and being a one-minute man is a no-no.

While both the Queen of Hip-Hop Soul and an expecting Queen B display good chemistry on the song, a video for the track may be hard to pull off. "I'm sure 'Love a Woman' would be a single but I can't really trouble Beyoncé right now; she's pregnant and I'm sure she's doing her stuff," Mary said. "So whenever she's ready, if she's ever ready, I'm ready and it'll be great."

Common Trades Hoops For Hip-Hop On 'When I Was 17' 'I couldn't play for a little while, so I started rapping more,' he recalls on the episode, airing Saturday at 11 a.m. ET/PT on MTV.

While most 17-year-olds were spending their free time playing video games and hanging out, Common was perfecting his skills. There's no doubt that this led to his successful hip-hop career.

The Grammy-winning artist revealed how he began rapping thanks to a sports-related injury on this week's episode of "When I Was 17," airing Saturday at 11 a.m. ET.

"When I was 17, I went to high school at [Chicago's] Luther South, and I did well in high school," the MC said on the episode, which also features T-Pain and "Twilight" star Alex Meraz. "I played basketball, but I got injured."

Common was hit in the eye during one of the games. Of course, that put him out of the game for a little bit, since it's kind of important to be able to see what's going on. So Common decided to use his time a little more productively than most other 17-year-olds.

"When I got injured, I couldn't play for a little while, so I started rapping more," he said. "I would be in gym class, and I would, like, get somebody to start beatboxing, and I'd just start freestyling."

Even at such a young age, Common's freestyling skills were unmatched. "He would be able to freestyle on any topic," his friend Marlon recalled. "We would change topics for him, and he would be able to talk about and rap about it. It was actually amazing."

He went by the moniker Rashid Cool at the time, and people knew he was a force to be reckoned with. "It was right around the time hip-hop was getting strong, so you get respect. A lot of people were like, 'Rashid Cool, you know he's good people,' " Common said.

Friday, November 18, 2011

Katy Announces Jakarta Concert In January 2012

Katy is excited to announce a show in Jakarta on 19 January 2012 at the Sentul International Convention Center (SICC).

“We have allocated 9,000 seats for the “California Dreams” concert in Jakarta. We expect the tickets to be on sale for the public around the fourth week of this month, with prices starting from Rp 650,000 only. The excitement for the concert has increased greatly since Katy Perry’s win for Best Live award from MTV European Music Awards last week over music heavyweights such as Coldplay, Lady Gaga, Red Hot Chili Peppers, and Foo Fighters. This award proves that Katy Perry’s “California Dreams” concert, which we will be seeing in Jakarta, is one of the best produced concert shows in the world today. This will be definitely a special experience as we get to see Katy live singing packaged in amazing visuals, massive stage, and great production. We can’t wait to bring her down here and share her with all the KatyCats in Indonesia,” said Yudha Perdana, Brand Manager of Ismaya Live.

Main promoters of the Katy Perry California Dream Girls Jakarta concert are IsmayaLIVE with FM Live and SoundRythm. They are also supported by Mahkota Promotion.

Official information and updates about the Katy Perry’s California Dream Girls Jakarta Concert can be obtained at the following sites:

Wednesday, November 16, 2011

Lady Gaga

After spending nearly her entire career working with Laurieann Gibson, Lady Gaga confirmed Monday (November 14) that she and her creative director had decided to part ways.

It was a move that may have been surprising to Gaga's Little Monsters, considering how closely the two have created some of the Mother Monster's most-memorable visuals, but did the split surprise music-industry observers?

"On the one hand, I get why [they split], because it seems like Laurieann's been doing a lot outside of the Gaga universe," Entertainment Weekly's Kyle Anderson told MTV News, referring to Gibson's starring roles on the BET dance-competition show "Born to Dance" and another dance reality series, E!'s "The Dance Scene." "On the other hand, it's a little bit strange, because Gaga's circle of people is so small, and all those people have been with her since pretty much the duration. She's really, really loyal, so it's a little bit strange to me, because I think she has this circle of people she trusts with her work."

Who should be Gaga's next choreographer? Let us know in the Newsroom!

As a key member of the Haus of Gaga, Gibson was never afraid to share her honest opinion about Gaga's work. Most notably, she spoke out publicly against Gaga's Jo Calderone performance at the VMAs, as well as her Nick Knight-directed "Born This Way" clip.

That unbridled honesty could be behind the Gaga/Gibson split, according to Us Weekly senior music editor Ian Drew.

"It's shocking and it's not," Drew told MTV News. "They were extremely close, and she let Laurieann have an unprecedented amount of control in her camp. Let's face it: Laurieann is very headstrong, never holds back what she thinks, and that tends to rub people the wrong way. I'm not totally surprised; it was only a matter of time.

"Look, I love Laurieann, and as a journalist, she's an interviewer's dream, because you'd catch her and she'd always just say what was going on," he added. "Laurieann would just say it. She would give you that perfect sound bite. She tended to be a little bit loose-lipped. But on the other hand, I can see why that maybe ruffled Gaga's feathers, because Gaga's all about the performance piece and not giving away too much. Laurieann really liked to take credit — not that that was bad, [and] maybe it was due, but maybe Gaga didn't want everyone knowing that. In the end, I do tend to think it was something to do with creative differences."

The big question is how the duo's severed partnership will impact Gaga's future endeavors. Will Little Monsters notice Gibson's absence?

"It always puts a really, really heavy focus on whatever the next project is," Anderson explained. "With stars like these, people become curious to know: 'Well how much do these individual cogs play into what we see in front of us?' These two have been together [for years], so we don't yet know what Gaga is like without her. So we don't know exactly what part of that personality plays into her projects." Lady Gaga lost her head on Sunday night when she took the stage on "X Factor UK" to perform "Marry the Night."

Gaga, decked out in a gown that made her appear headless, emerged from a crypt as torches burned around the stage. Her dancers did most of the heavy lifting in the movement department, while Gaga let all the action happen around her, standing in the middle of the stage donning the unusual costume. As the song closed out, Gaga went back in the box and came back out in just a black bodysuit, finally getting in on the dancing for the gothic performance of the Born This Way track, an ode to her hometown of New York.

After the performance, Gaga confirmed that she was deep into the planning stages for her next tour. "I'm gonna be here [in Britain] next year for my next tour. I just finished designing the stage and it's bigger and better than ever," she said on the show. "I'm so happy. I can't wait to see you all there."

In addition to tour plans, Gaga took to Twitter to confirm that she's near completion on two upcoming projects, her video for "Marry the Night" as well as her forthcoming Thanksgiving special.

"Been up all night editing my first TWO films as director!" she wrote. "Marry The Night Video + 'A Very Gaga Thanksgiving' the 2nd airing on thanksgiving!" She teased the "Marry the Night" clip last night in a still photograph, in which she appeared to be rolled down a hallway on a gurney.

Gaga made other headlines Monday (November 14) when it was announced that she had split from longtime creative director Laurieann Gibson. MTV News confirmed the split between the longtime collaborators. The singer noted on Twitter that she is now working with Gibson's former #2, Richard Jackson. After a long and fruitful creative partnership, Lady Gaga has broken ties with creative director Laurieann Gibson. MTV News confirmed the split on Monday (November 14), which came after reports that the two women had a serious falling out.

Gibson has been part of Gaga's inner circle since well before the singer became an international superstar, beginning with the choreography for the 2008 "Beautiful, Dirty, Rich" video and continuing through the soon-to-be famous steps in clips for "Just Dance," "Poker Face," "Love Game," "Paparazzi" and "Bad Romance."

The pair were closely associated throughout Gaga's rise to fame, with Gibson providing the choreography and artistic input on such landmark videos as "Telephone," "Alejandro" and "Born This Way." Gibson, who previously appeared on MTV's "Making the Band" with Diddy and the "Starmaker" reality show, has been stepping out on her own lately, including a starring role in the BET dance competition show "Born to Dance" and another dance reality series, E!'s "The Dance Scene."

Gibson co-directed Gaga's Judas" video and directed "YoĂĽ and I, "but the women reportedly clashed on the set of the former, with Gibson expressing discomfort with the religious imagery in the clip. According to the Reporter, the tension was already showing during the filming of the "Judas" video, during which Gibson told the magazine, "At one point, there was two completely different views and after the third glass of wine, I was like, 'Listen, I don't want lightning to strike me. I believe in the Gospel and I'm not going there."

Think this is the right move for Gaga?

She was less adamant when talking to MTV News about the controversy, expressing pride in the final product. "I think the concept stuck with this one because, ultimately, there was a place where we wanted to leave the interpretation up to each individual and not take away [Gaga's] power as a performer, as a dancer, as a star," Gibson explained, alluding to the creative clashes the pair had about the "Born This Way" video. "And to leave the moments for you to interpret and be inspired by the fact that everyone has a Judas in their life and that there is a place of deliverance. For me, I interpret differently than her, and for someone else, they'll interpret it differently."

A spokesperson for Gaga confirmed the split for MTV News.

Gibson also spoke out after she and Gaga failed to see eye-to-eye on the concept for the "Edge of Glory" video. After reports that video vet Joseph Kahn would be directing, Gaga instead went for a simpler cityscape treatment that drew some fire from fans. "Listen u disrespectful f--k they had an issue on set I don't lie!!!!!" Gibson tweeted at the time. "Creative Changes happen always educate ignorant Monster's!!!"

The Reporter noted that relations between the two continued to fray this summer over disagreements about the "YoĂĽ and I" video and Gaga seemed to confirm the end with a November 6 tweet in which she announced that Gibson's former #2, Richard Jackson, is her new choreographer.
Lady Gaga unveiled a Bollywood version of her "Marry the Night" video in India last month, took it to the moon in Belfast last week, and now Lady Gaga is giving fans their first glimpse of the "Marry the Night" video. From the looks of things, she's not going anywhere ... except maybe into surgery.

Gaga posted a screen shot from the "Night" clip on her Twitter account Friday (November 11) that shows her — at least we think it's her, though it might also be her male alter ego Jo Calderone — laid out on a hospital gurney, IV drip in her arm. She's being wheeled down an ornate hallway by a pair of dour-faced nurses, making the scene reminiscent of both Stanley Kubrick's "The Shining" and Milos Forman's "One Flew Over the Cuckoo's Nest."

Gaga also included a rather cryptic message with the photo: "It's not that I've been dishonest, it's just that I loathe reality."

Last month, Gaga was spotted all around New York City filming scenes for the "Marry the Night" video, including an elaborate dance sequence shot in Harlem and a set-up at the Snug Harbor Cultural Center on Staten Island.

Of course, despite all the on-set photos snapped by the paparazzi, very little is actually known about the "Marry the Night" clip. For her part, Gaga is keeping things mysterious, telling her little monsters in a separate tweet, "This will be the longest video I've released to date ... the beginning of the story I never told you." It was an evening of surprises at the 2011 MTV Europe Awards that included a takeover by the nominated men, a tribute to the late Amy Winehouse, a streaker, and, of course, an out-of-this-world performance from Lady Gaga.

Broadcast from the halls of Belfast's Odyssey Arena in Northern Ireland on Sunday, the Selena Gomez-hosted ceremony kicked off with two-time nominee Coldplay, who performed their latest hit "Every Teardrop Is a Waterfall." Frontman Chris Martin danced his way from the arena catwalk to the main stage as a spiral of lights spun around the band, igniting the arena.

Check out all the red-carpet fashion at the 2011 EMA on MTV Style.

Shortly after, cameras panned to the center of the venue where the night's host, Selena Gomez, stood prominently in the middle of an onstage circle of fire. It was only a taste of what was to come from the former Disney starlet's hosting spectacle, which included a string of outfit changes, an appearance from her rap alter ego and mingling with pop peer Katy Perry.

"Jersey Shore" stars Snooki and JWoww were on-site to deliver the first award of the night: Best Live. "What's up Belfast? 'Jersey Shore' is in the house!" they screamed simultaneously, before announcing Katy Perry as the award recipient.

"This is probably my favorite award because my fans mean so much to me," the pop superstar told the crowd. "I'm so tired, but it's all worth it. Thank you. I love you."

LMFAO brought their wild antics to the EMA with a performance of their summer smash "Party Rock Anthem." The electro/pop duo proved their hard-partying ways with a life-size zebra float and a dance-off with America's Best Dance Crew winner Quest Crew.

Lady Gaga took home the award for Best Female, which was presented to her by David Hasselhoff. Pitted against Adele, Beyoncé, Jennifer Lopez and Katy Perry, the pop diva beat the competition and walked up to the podium in a WTF-worthy metallic ensemble. Emotions overcame the singer later on when she nabbed the Best Song and Best Video awards for her mega-hit "Born This Way."

"I knew that this song was very special when I wrote it," the three-time EMA winner told the screaming crowd during her second award speech. "This is the single most important song that I've ever written, the single-most important album and until now, the single most important moment."

One of the night's surprises came courtesy of a streaker, who interrupted Hayden Panettiere as she was presenting the Best Song award.

Alongside his quartet of backup singers/band, Bruno Mars kept the momentum going with a performance of "Marry You." The stage looked as if there was a wedding going on, with its heart-filled backdrop set and confetti that spewing into the air. Like the 2011 VMAs, MTV dedicated a special presentation and award to industry legend Queen. Presented by Katy Perry, Brian May and Roger Taylor of the group accepted the Global Icon of the Year award, thanked the network and even gave the California Gurl a shout-out.

"How wonderful, because we here at the birth of MTV. How wonderful for us to be here 40 years later and to be honored in this way," May said.

While Jesse J brought some soaring vocals with a performance of "Price Tag," it was Gaga who treated her Little Monsters to outstanding theatrics with her performance of "Marry the Night." Dressed in her orbital getup, the pop titan danced atop a gigantic onstage moon while she belted out the dance track. She later joined a slew of dancers back on Earth for some hair-whipping and a choreographed routine.

The Red Hot Chili Peppers and Snow Patrol assisted in the EMA takeover with audience-packed performances outside of the show's venue from the stages of Ulster Hall and Belfast City Council.

Midway through the show, it seemed the 2011 EMA were all about the guys when both Linkin Park and Eminem appeared via pre-recorded telecast to accept their awards for Best Rock and Best Hip Hop.

Despite his current public controversy, Justin Bieber appeared positive when he walked up to the podium to accept the award for Best Male. To his surprise, Biebs was also presented the award for Best Pop by collaborator Ludacris backstage.

In a presentation introduced by Jessie J, the late Amy Winehouse was honored with a short video montage that included commentary from fans.

"It saddens me that I never got to thank Amy for breaking boundaries as I genuinely believe that without her, I wouldn't be standing here today," Jessie shared.

After his smooth performance of "Marry You," it was a good night for Bruno Mars, who took home the award for Best Push Act from MTV News' own Tim Kash during backstage interviews. He later appeared onstage to accept the award for Best New Act.

Gomez took on double duty at the show when she performed "Hit the Lights" alongside her band the Scene. But it was her boyfriend, Justin Bieber, who really got into the festive spirit when he performed a medley of his tunes "Mistletoe" and "Never Say Never."

It wouldn't be a show without some onstage pair-ups. David Guetta brought his string of collaborators together to perform their respective team-ups from his Nothing but the Beat LP, including Taio Cruz, Ludacris and Jessie J.

And that's not the only surprise collabo the Europe Music Awards had in store. "American Idol" runner-up Adam Lambert joined Queen for the show's concluding medley performance of "The Show Must Go On," "We Will Rock You" and "We Are the Champions." Decked out in an oversize black trench coat and matching black ensemble, Lambert showcased his over-the-top vocals alongside the iconic group.

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